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Salty & Clever

The One Drink and the No-Drink

Via Veneto at Midnight: Gin, Bergamot, Dry Vermouth, and Prosecco

Prosecco is 88 percent water arriving late, and it does not care how carefully you stirred.

A gold sparkling cocktail with a long bergamot twist on a marble cafe table, lit street behind
Kitchen Kit
Via Veneto at Midnight: Gin, Bergamot, Dry Vermouth, and Prosecco

Serve alongside
Olives, salted almonds, and thin slices of mortadella. Bergamot and bitter orange make this an aperitivo in everything but name, and the Roman answer to an aperitivo was settled decades ago.

Tools
Mixing glass and barspoon, or a pint glass and a fork if the barspoon is in the dishwasher. A julep or Hawthorne strainer. One large cube per drink, for stirring rather than serving. Coupes, chilled.

Ingredients · swaps in parentheses
London dry gin, dry vermouth, bergamot cordial (Earl Grey syrup, at a pinch), bitter orange aperitivo, orange bitters, brut prosecco (any dry sparkler), a lemon.

Magic
Stir the base on one large cube and stop short, at about 15 seconds. Two ounces of prosecco is roughly 88 percent water and it is arriving at the end, which means a base stirred to normal dilution produces a finished drink that is a quarter water before anyone has touched it. A single big cube chills fast and dilutes slowly, so you get the cold without the water and the prosecco supplies the rest. Not feeling brave? Stir the ordinary way on cracked ice and cut the prosecco to 1 1/2 oz.

Gotcha
Pour the prosecco down the inside of a tilted coupe, slowly. Straight into the middle of a cold cocktail it climbs the glass and goes over the rim within about two seconds, and what leaves the glass is the carbonation you bought the bottle for. Never top a sparkling drink in the tin or through the strainer.

Bergamot is a bully. It is the most aggressive citrus in common use, more perfume than fruit, and half an ounce of a good cordial will walk over a gin, a vermouth and a bitter orange aperitivo without noticing they were there. Which is why the gin in this recipe is one ounce rather than the ounce and a half you would expect, and why the aperitivo is only a quarter. The proportions look timid on paper. They are a containment strategy.

Make the cordial mild on purpose. If yours tastes like Earl Grey concentrate, cut it with water before it goes in and adjust the recipe down rather than up.

The build, one drink

  • 1 oz London dry gin
  • 3/4 oz dry vermouth
  • 1/2 oz bergamot cordial
  • 1/4 oz bitter orange aperitivo
  • 2 dashes orange bitters
  • 2 oz brut prosecco
  • Lemon twist

The pour, drawn to scale

  1. London dry gin1 oz
  2. dry vermouth3/4 oz
  3. bergamot cordial1/2 oz
  4. bitter orange aperitivo1/4 oz
  5. brut prosecco2 oz
Drawn to scale from the spec above. Garnish, ice and anything measured in dashes or drops are not shown — they change the drink without taking up room in it.

Stir gin, vermouth, cordial, aperitivo, and bitters with ice, on the short count described above. Strain into a chilled coupe. Top with prosecco, tilted, down the wall. Garnish with lemon: express the twist over the surface first, then hang it on the rim rather than dropping it in, because in a sparkling drink a submerged peel becomes a nucleation site and quietly strips the bubbles out over five minutes.

Glass and ice

Coupe, frozen, nothing in it. A flute would keep the bubbles longer and would also hide everything this drink smells like, which is the trade nobody talks about; the wide bowl is the point when there is bergamot and orange oil involved. If your coupes are the enormous decorative kind, use a small wine glass instead and lose nothing.

The large cube in the mixing glass is not a garnish decision, it is arithmetic. One cube has a fraction of the surface area of a glass of cracked ice, so it takes the temperature down at nearly the same speed and puts in a third of the water.

What the aperitivo is for

A quarter ounce of bitter orange is not there to make the drink bitter. It is there to give the finish somewhere to go. Bergamot and prosecco both stop abruptly, and the aperitivo puts a low rasp underneath that keeps the drink going for another beat after you swallow. Campari is too loud and too red; Aperol is too sweet; the ones in between, the amaro-adjacent bitter oranges, are exactly right and are also the bottles most likely to be sitting unopened in the back of a cabinet.

Batching

This is a good one for a crowd because the stirred half batches and the fun half is poured at the glass. Combine gin, vermouth, cordial, aperitivo and bitters for however many, add water equal to 15 percent of that volume rather than the usual 20, and freeze the bottle. Pour 2 7/8 oz into each frozen coupe and top with 2 oz prosecco.

Open the prosecco when the first guest arrives, not before. A bottle opened early and re-stoppered is fine for the first two glasses and noticeably dead by the fifth, and the stopper is not the problem; the temperature is. Keep it in ice water, not on the counter.

Zero-proof

This converts cleanly, which is unusual for something built on a gin-and-vermouth spine, mostly because the loud parts of the drink were never the alcoholic ones. Use 1 oz of cold, strong chamomile or a non-alcoholic juniper distillate, 3/4 oz of verjus blanc cut with a splash of water, the bergamot cordial as written, 1/4 oz of a non-alcoholic bitter aperitif, alcohol-free orange bitters, and 2 oz of dry non-alcoholic sparkling wine. Stir 10 seconds. The bergamot is carrying the drink either way, and it does not know or care what is underneath it.

Bergamot is the entire drink. Everything else is scaffolding, and the prosecco is there to keep the scaffolding out of sight.

Serve it standing up, before dinner, with olives and something fried. Via Veneto at Midnight has the actual dinner plan: what follows the first pour, how much to make, and when the room should move from cocktail to supper.

Part of Drinks & Zero-Proof.